The eponymous room of Tessa Hadley's novel was hard for me to envision, but apparently was a monster that ran along an entire side of what seems to have been a big English manor. It's also where Kate and her mother - whom Kate has moved home to care for - were both born. And more, but that comes later.
It's always strange when you come across a New Yorker short story in a novel, but it particularly threw me in this case because the story pulled from a plotline that stretched across the whole novel, rather that grabbing a chapter in whole.
I liked this book, because I found it touching how tentatively the characters reached out to one another. And also because the characters were mysteries, to one another but more importantly to themselves. But that said, The Master Bedroom was also deeply flawed. The mystery that makes a character intriguing also means that you never get to know them quite well enough to understand their actions, or at least to understand why their actions are incomprehensible. The teenaged Jamie is particularly unknowable, even as he seems perhaps the most adult of the bunch, and that's in some ways especially infuriating.
In the end though, the novel was sweet. And quick to read. And poignant. Like wrapping oneself in a warm blanket. And sometimes that's enough.
(oh, and one last thing. I loved how Kate describes Jamie on first meeting him: "Kate wouldn't have minded him in one of her classes: a Tolstoy type, not a Dostoevsky type, who were two-a-penny.")
Tuesday, October 30, 2007
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