"This bright brute is the gayest"

...of his novels. This is how Nabokov described King, Queen, Knave, which he first wrote in exile in the late 1920s and which his son translated into English in the 1960s. Set in Berlin, the king is the moneyed entrepreneur Dreyer. He's a bit of a buffoon, like the caricatures of Germans in French literature from the late nineteenth century. (I did a paper on this in grad school. Don't ask. Actually, you can ask. It was really fun to read kids' books that made fun of Germans in Alsace.) The queen is his wife, Martha. She's kind of a cipher, beautiful and cold and bewitching. Except maybe also not that attractive. The knave is our naive (and any pun there is an accident of translation) Franz, Dreyer's nephew, who has come to Berlin for a job at his uncle's store and soon becomes a fixture in the Dreyer household.

I started reading and got swept up in it immediately. I loved the way it was so much a product of a gay and glittering and yet not-so-glamorous time. And so entirely Russian, even as it was set in Berlin with German characters. But then, after a few days, I found myself distracted, and picking up other reading material when I got into bed. The last 50-60 pages came well after the rest. And it shouldn't have gotten boring. I put it down right in the middle of a murder plot. So what happened?

I can't answer the question. I - or the book - just lost momentum. Sometimes that happens. When I finally did get to those last few pages, it came together in a perfectly satisfactory way. I can't complain. But all the joy and passion in my reading was gone. Strange. But still, for the first 100 or so pages in particular, it was a delight.

Oh, and this was my fourth and final selection for the Russian Reading Challenge. I do have one more bonus entry though before the year is through.

Library girl (that would be me)

I've been busy with school. The bulk of my reading has had to do with information science, or management theory (or political blogs or the ever-present New Yorkers, which have gotten the best of me again.) And even my airplane reading on the flight back from Hawaii turned out to be related to school...

Which takes me to Quiet, Please: Dispatches from a Public Librarian, from McSweeney's contributer and Anaheim librarian Scott Douglas. Douglas is about my age. Except he started working as a library page in college, and then went straight to library school. So he's been official for something like 5 or 6 years. And working in libraries for more like 10. (Also, most of my classmates are already longtime employees of some library or another. This makes me nervous for my future career prospects. How am I going to get hired when everyone else already has way more experience? Answer: quit my day job and get unpaid internships?) Anyway, I'm going to say that Douglas has certain writing quirks that mark him as part of the Dave Eggers cadre. (I'm not sure what I even mean by that, and am afraid of getting myself into trouble, so I'm just going to link to a wiki post for Eggers, and make a vague reference to a sort of self-referential, insouciant, nerdy hipsterism.) He also reminded me - with his penchant for wanting to share more information than he can possibly fit in through use of footnotes and "for shelving" asides - of David Foster Wallace, which just makes me sad.

Anyway. Douglas is funny. I laughed. He is good at noting the ridiculous. Yet everytime he edges toward being mean, he tries to take a step back, and I believe he is fundamentally a good guy who just happens to love telling a good story. None of the story of his time in school at SJSU or his early days at the library particularly makes me excited about what lies ahead. In fact, I sat at the airport wondering if I could run out of there and just live on my uncle's couch in Honolulu and swim in his building's beautiful new saltwater pool. But that's a life dilemma for another moment.

And Douglas isn't all "working in a library with librarians is C.R.A.Z.Y." He mocks them, and says they really don't read (working with books too much kills some of the joy, like Dr. Franzblau in this episode). But still, libraries will always be "the gateway to something greater." And the community that they inspire as they serve the community (tortured sentence structure, I know) is really something special.

Erin reads The New Yorker

...and links to random things that catch her fancy.

from July 28:
Jonah Lehrer, Annals of Science, "The Eureka Hunt," The New Yorker, July 28, 2008, p. 40
I knew I was right about this!

The insight process, as sketched by Jung-Beeman and Kounios, is a delicate mental balancing act. At first, the brain lavishes the scarce resource of attention on a single problem. But, once the brain is sufficiently focused, the cortex needs to relax in order to seek out the more remote association in the right hemisphere, which will provide the insight. "The relaxation stage is crucial," Jung-Beeman said. "That's why so many insights happen during warm showers."

fave Aleksandar Hemon has a new book, and is separated at birth from another fave?

(left, Hemon; right, Vladimir Mayakovsky)



from Aug. 4:
Sasha Frere-Jones explains contemporary popular rock:

The main antecedent [to Coldplay's sound] is U2, who invented the form that Coldplay works within: rock that respects the sea change of punk but still wants to be as chest-thumping and anthemic as the music of the seventies stadium gods. Translated, this means short pop songs that somehow summon utterly titanic emotions and require you to skip around in triumphant circles and pump your fist, even if it is not entirely clear what you are singing about.

from Aug. 11 & 18:
Matthew Dickman writes a lovely and haunting poem mostly about suicide, that includes the following line: "If you are/travelling, you should always bring a book to read, especially/on a train." Sound advice.