Wednesday, October 31, 2012

Spirited away

The Night Circus - Erin Morgenstern (Doubleday, 2011)

I am going to admit that I held off on reading this book because I was jealous that someone named Erin wrote such a well-received novel. Stealing my thunder and all. But thank goodness I got over this absurdity. Because this book is magical. MAGICAL.

Most of the week I was reading The Night Circus, I spent non-reading time really wishing I were reading. It was transporting. Short chapters (and intros and such) whisk through between characters, times, and places. Which is a little like the circus itself. The circus, which appears as if by magic, runs only at night and only in black & white, and is the venue for increasingly inspired flights of magical imagination.

It is also the venue for a competition of sorts. Two men facing off; their proxies young, well-trained, and mostly ignorant of the rules governing their battle. And can two practitioners of such powerful magic grow to know their opponent so well without falling in love?

The novel is stunning. I reached the climactic scene one sofa over from my boyfriend, who was engrossed in someone on the television. (Fringe maybe?) And when I started silently weeping just because I was too overcome by the emotion of the whole thing, I had to hide it, because how do you explain that you're crying because it's just all too lovely?

Sunday, October 28, 2012

Vaguely disagreeable olde England

Brideshead Revisited - Evelyn Waugh (Laurel Edition, 1944, 1945)

It's kind of fun to read old paperbacks. This one cost 75 cents when it was printed in 1965 (I think) and it is falling apart something pretty impressive. I think I'll be its final reader.

That sentiment is probably not true for the novel itself. (Obviously.) I am not crazy about Waugh, and it was a bit of a slog at the beginning. Lots of chummy gay college boys or something. Someone told me to not bother with the read and go straight to the movie, and I was sorely tempted. But I was glad to have stuck it through. Because after a spell it gets easier, and then suddenly, it gets much much easier. And without offering spoilers, I'm perhaps a little troubled by why I might find certain plots more agreeable than others.

That said, I still didn't have much affection or sympathy for any of the characters. It's been a week since I finished reading, and I had forgotten the narrator's name. He seems ... so distant, I suppose.

But! Onto the film adaptations!

Wednesday, October 17, 2012

The absurd marriage makes a lot more sense in books set in the 1800s

His at Night - Sherry Thomas (Bantam Books, 2010)

Ravishing the Heiress - Sherry Thomas (Berkley Sensation, 2012)

And returning to historical romance, which is a far more hilarious genre than I had really given it credit for being. A few months back, I read my first novel by Thomas, which launched the trilogy that RTH picks up. And for a variety of reasons involving book requests, I also ended up with His at Night.

And Thomas doesn't disappoint in the earlier novel, with my favorite "marriage under false pretenses" scenario. Elissande sees unexpected company as her chance to get herself and her aunt out of an abusive home, and swindles a poor, hapless duke into getting caught with her in a compromising position. Of course, he is neither poor nor hapless (just pretending to be) and he sees her trap (which, of course, doesn't stop him falling into it) and hates them both for it.

So again! Everyone's pretending to be something they're not, and lust and romance ensue. Plus there's a scandalous plot involving (more!) secret identities and scandals. Yippie. But again, high on the ZOMG SO CUTE scale.

I was less satisfied by the second read. It's a more ambitious plot - "marriage under forced pretenses" so to speak. Millie is an heiress, Fitz an accidental duke who has to marry well to save his family's land and whatnot. But he has a childhood sweetheart that he really really does not want to let go of. So the book bounces back and forth between the present, eight years after their wedding, and the past, concerning the early days and years of their marriage. It's a lovely testament to the possible success of arranged marriage, as what makes their relationship sparkle is the friendship and respect that have grown over time. But at the same time, you miss the wicked banter and push-and-pull of the romances where both parties are simultaneously attracted and repulsed by one another. But that's coming in the third installment of the trilogy, so huzzah for that.

Saturday, October 06, 2012

All's fair in love, war, and politics

Queen Margot - Alexandre Dumas (Hyperion, 1994)

In high school, my friends and I watched the film adaptation of this novel a whole bunch of times. the people in it were all too beautiful. It was ... well, memorable. So while I found the book at some book sale, I bought it. And it languished on my shelf. Until a couple weeks ago.

"Queen Margot"is Marguerite de Valois, daughter of one French king, sister of two more, and wife (pre-annulment) of a fourth, Henri de Navarre. But the novel, thick as it may be, covers only two years in her eventful life. It begins with her marriage to Henri, intended to settle unrest between Catholics and Protestants, and ends when Henri flees back to Navarre, to stay safe until he can one day assume the throne. In between: the St. Bartholomew Massacre, several assassination attempts (most engineered by the queen mother, Catherine de Medicis), and a couple pretty fantastic love affairs.

The most memorable part of the film (well, to 16-year-old Erin at least) was the love between Marguerite and a lesser noble, La Mole. (There is also an unintentional murder that was pretty amazing.) But in the book, this relationship is almost surpassed by a strange and enduring friendship that extends unto death. And also much more about the machinations of Queen Catherine. In the book, it becomes a point of humor. She started to remind me of Wile E. Coyote, devising ever more certain plots to take out Henri de Navarre, and having each go awry.

I had far too much fun reading this, as I'm sure did the 19th-century audience that first encountered it in serial form. First of all: history! I mean, I'm not sure entirely where Dumas' imagination takes over, but still... And then romance and intrigue and beautiful costumes and and and. Does it come as any surprise that I have the DVD waiting for me to watch this evening?