Saturday, October 22, 2011
Books for trade
I had another book swap a few weeks back. This was my take. (I also made some lovely lovely bookmarks.) And when all was said and done, we donated about 40 books to the Huntington Beach Public Library. Thanks everyone for the fun evening!
How to be a writer
Making a Literary Life: Advice for Writers and Other Dreamers - Carolyn See (Ballantine Books, 2002)
I've always loved writing without really having any real conception of how I could be a writer. Do I want to be? Do I not? Reading this book didn't really help answer that question, but See is just about all you could want in a mentor. She is honest and witty and eccentric and self-aware.
The book covers the preparatory period, and ways to psych yourself up for writing. (This includes writing "charming notes" to those you admire.) It then moves on to the writing process, and how to conceive of major aspects of writing, such as plot, space, characters, etc. Her assertion that the 10 "most important" people in your life are your characters led me make my list, and realize that there were some surprising names on there. And finally, the last section is about all the work YOU have to do to get your work out there, and published, and promoted, and everything else. It all sounds exhausting, to be honest.
But if nothing else, See reminded me how much I enjoy writing, and watching words flow from my fingers onto a page (or screen). And as I said above, she really makes quite a mentor.
I've always loved writing without really having any real conception of how I could be a writer. Do I want to be? Do I not? Reading this book didn't really help answer that question, but See is just about all you could want in a mentor. She is honest and witty and eccentric and self-aware.
The book covers the preparatory period, and ways to psych yourself up for writing. (This includes writing "charming notes" to those you admire.) It then moves on to the writing process, and how to conceive of major aspects of writing, such as plot, space, characters, etc. Her assertion that the 10 "most important" people in your life are your characters led me make my list, and realize that there were some surprising names on there. And finally, the last section is about all the work YOU have to do to get your work out there, and published, and promoted, and everything else. It all sounds exhausting, to be honest.
But if nothing else, See reminded me how much I enjoy writing, and watching words flow from my fingers onto a page (or screen). And as I said above, she really makes quite a mentor.
Friday, October 14, 2011
Hope & Faith
A Short History of Tractors in Ukrainian - Marina Lewycka (Penguin, 2005)
So the two sisters are Hope & Faith (except the family is Ukrainian, so they are Nadezhda and Vera) - this is important enough that it gets spelled out. Their elderly widower father decides to marry a voluptuous Ukrainian immigrant, to help her get her papers. And because he is in his mid-80s, and utterly infatuated with this woman who makes him feel like a man again. The sisters, unsurprisingly, are not excited about this plan.
So he marries, and then everything (predictably) goes to hell. And much of the book is a tale of how they are going to get rid of this monstrous woman, sprinkled with occasional questions of whether one should admire her tenacity and/or have sympathy for her striving. But what it reminded me of was - of all things - Catch-22. I felt that same profound discomfort and unease while reading, that same sense of being trapped in an illogical world, where life was profoundly unfair. Through the looking glass, I suppose. Or like life in the USSR, for that matter. I kept reading because I wanted to know how it played out, but I felt... well, icky.
Then, somehow, it picks up a lot of speed. Maybe because you start learning more about the trauma of the family's past. This is a family whose origins can be found in the Terror, and the terror famine, and then the War and the German camps. And somehow, being reminded of all that made me feel somehow safer. I grew to believe that Lewycka had too much sympathy for her characters to make them truly suffer again. Writing that, I can see how it doesn't make much sense, but it's how I felt all the same.
And, because in a way it both wraps up the novel and a broader project in my life to consider the importance of the narratives we create to make sense of our experiences:
So the two sisters are Hope & Faith (except the family is Ukrainian, so they are Nadezhda and Vera) - this is important enough that it gets spelled out. Their elderly widower father decides to marry a voluptuous Ukrainian immigrant, to help her get her papers. And because he is in his mid-80s, and utterly infatuated with this woman who makes him feel like a man again. The sisters, unsurprisingly, are not excited about this plan.
So he marries, and then everything (predictably) goes to hell. And much of the book is a tale of how they are going to get rid of this monstrous woman, sprinkled with occasional questions of whether one should admire her tenacity and/or have sympathy for her striving. But what it reminded me of was - of all things - Catch-22. I felt that same profound discomfort and unease while reading, that same sense of being trapped in an illogical world, where life was profoundly unfair. Through the looking glass, I suppose. Or like life in the USSR, for that matter. I kept reading because I wanted to know how it played out, but I felt... well, icky.
Then, somehow, it picks up a lot of speed. Maybe because you start learning more about the trauma of the family's past. This is a family whose origins can be found in the Terror, and the terror famine, and then the War and the German camps. And somehow, being reminded of all that made me feel somehow safer. I grew to believe that Lewycka had too much sympathy for her characters to make them truly suffer again. Writing that, I can see how it doesn't make much sense, but it's how I felt all the same.
And, because in a way it both wraps up the novel and a broader project in my life to consider the importance of the narratives we create to make sense of our experiences:
I had thought there was a happy story to tell about my parents' life, a tale of triumph over tragedy, of love overcoming impossible odds, but now I see that there are only fleeting moments of happiness, to be seized and celebrated before they slip away.
Wednesday, October 05, 2011
Lizzie Bennet in high school
Prom & Prejudice - Elizabeth Eulberg (Point, 2011)
I was reading some RA (readers' advisory) thing about new young adult fiction when I came across this title. And the description made me howl. At work. Lovely. My library didn't purchase it, but I finally came across one that did, and here we go.
I can't figure out if it's even possible to read this book without knowing the source material. Certainly it can't be as amusing. Longbourn is no longer the home of the Bennets, but instead a very posh New England boarding school, where prom is a BFD. Lizzie is a scholarship student. Jane & Lydia are sisters, but not Elizabeth's sisters. Bingley & Darcy attend the neighboring boys' school, named - naturally - Pemberley. Other references to the book pop up in unexpected places.
Eulberg has a difficult task adapting P&P for modern teens. The grand themes of the love story are as apt as ever: pride, an unwillingness to change initial impressions, misunderstanding, stubbornness about who we think we are and what we think we want.... all of these get in the way of true happiness. But actions and attitudes that make sense in the early 1800s seem bizarre in today's climate. Bingley & his sister, for example. Are brothers really that persuadable? And Lydia.... you can have a wild child today (easy enough) but how do you demonstrate how humiliating that wildness is? Can it really bring shame on a family?
Anyway, it's cute. But I'm afraid I would have hated it had I read it as a teen.
I was reading some RA (readers' advisory) thing about new young adult fiction when I came across this title. And the description made me howl. At work. Lovely. My library didn't purchase it, but I finally came across one that did, and here we go.
I can't figure out if it's even possible to read this book without knowing the source material. Certainly it can't be as amusing. Longbourn is no longer the home of the Bennets, but instead a very posh New England boarding school, where prom is a BFD. Lizzie is a scholarship student. Jane & Lydia are sisters, but not Elizabeth's sisters. Bingley & Darcy attend the neighboring boys' school, named - naturally - Pemberley. Other references to the book pop up in unexpected places.
Eulberg has a difficult task adapting P&P for modern teens. The grand themes of the love story are as apt as ever: pride, an unwillingness to change initial impressions, misunderstanding, stubbornness about who we think we are and what we think we want.... all of these get in the way of true happiness. But actions and attitudes that make sense in the early 1800s seem bizarre in today's climate. Bingley & his sister, for example. Are brothers really that persuadable? And Lydia.... you can have a wild child today (easy enough) but how do you demonstrate how humiliating that wildness is? Can it really bring shame on a family?
Anyway, it's cute. But I'm afraid I would have hated it had I read it as a teen.
Monday, October 03, 2011
I'm re-reading again
Reading a book on the computer is a strange experience still to me. Especially when it's a book set in the early nineteenth century. Anyway, yay Jane Austen. Yay Persuasion.
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